Access All Areas

Architect Carolyn Smith reworks a 1940s bungalow for optimal functionality and freedom.

Access All Areas

Architect Carolyn Smith reworks a 1940s bungalow for optimal functionality and freedom.

β€œYou’re the bravest client I’ve ever had,” says architect Carolyn Smith to Simon Glynn. β€œIn fact, I think you’re the bravest man I know.”

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A few years ago, Simon approached Carolyn about reworking his postwar cottage in the suburb of Ōrakei, Tāmaki Makaurau Auckland. His house was cute – weatherboards, paned windows, established trees and solid bones. But it was too small for him and his two sons, with tiny bedrooms and one living room.Β 

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Carolyn set about redesigning the house with a simple addition to house kids’ bedrooms and an extra bathroom – until Simon was diagnosed with a degenerative condition that would ultimately constrict his movements. At that point, he called off the work, and reluctantly set about finding an easy-care apartment better suited toΒ his needs.

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A year later, the two bumped into each other. Simon was still looking, and more than emotional about leaving his beloved cottage. β€œI reckon we can do something about that,” said Carolyn.Β 

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She had a little inside knowledge, having spent a couple of years earlier bound either to a wheelchair, walking frame or stick. With some simple tweaks and clever thinking, she was able to turn a small cottage into a functional family home that also happens to be fully accessible. β€œTo be honest, it’s not that hard,” she says. β€œYou want flush thresholds and to keep things wide and open and generous to facilitate ease of movement and function.” 

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She reworked her original design, adding a long gabled extension to the end of the dwelling that now houses an internal-access garage with ramp, fullly accessible bathroom and a large, airy bedroom with wide sliding windows looking out to the garden. β€œItΒ was a really little β€˜L’ with little French doors that had really had it,” she says. β€œWe used the floors and kind of used the openings and reconfigured everything so it worked better.”

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A living room became one son’s bedroom; the whole back of the house was opened up through floor-to-ceiling sliding doors to a large deck connected to the garden via a ramp, which connects to a concrete path that surrounds the house. Simon can now circumnavigate the property unencumbered; on days when he’s confined inside, he can still feel the air and see the garden. Both bathrooms are accessible, with specialist fittings, painstakingly researched and sourced – neither architect nor client is fond ofΒ the hospital look.Β 

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To that, Simon added a soothing palette of greens and blues, offset by crisp white. The outside is painted black. β€œI used to do a lot of tramping,” he says. β€œI wanted to have those colours around me, so when I’m doing my circle I feel like I’m in nature.”

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Remarkably, he also lived in the house through the renovation. Builder Dan Power finished the extension first and Simon moved in there. The rest of the house followed a year or so ago. β€œSome people weren’t keen on me tackling the project,” he says. β€œBut IΒ needed character and free space – and I found it took my mind off things.”

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Ask him what the best thing about it is, and he talks about the connection to the garden, and the delights of well-designed space. β€œI think staying in a home you like is important,” he says. β€œIt’s wonderful to be in a place that makes me feel good.”

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smith-scully.com

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